1969 ACOLYTE 1969-1999 14. ATIDE POOL 1970 SPACE OF MEMORY 1971 BILD UND BILDNIS The
temporal Whisper 1972 THE BENIGN VIDEOGRAPGHER W. Berlin, E. Germany 43. MAN IN A HAMMOCK
51. THE ROOF ABOVE OUR SMOKE 52x 32” oil and mixed
media on wood W. Berlin, E. Germany 1973 BURGUNDIAN SEASON The Arrogance Of Pleasure series 58. TOUCH HEAVEN WITH ITS CONCAVE MEADOW OF SKY 68. A FIELD OF PUMKINS GROWN
FOR SEED 1974 THRESHOLD OF THE FOREST 78. A SUBALPINE VALLEY 1975 MALRAUX Cadre (the Voice of Silence) 79. THE ELEMENT OF TRUTH 80. SHATTERED (THE MOON WALKS THE NIGHT) 28x36” gauche on rag 81. YOU KNOW THE DEVIL MAY CARE 82. RICTUS 83. THE SHE-WOLF AND PASIPHAE 84. THE BROW OF THE HILL 85. FANTASIA IN BEDLAM 34” round &7” deep encaustic & mixed media on wood 86. NATURE MORTE 87. LA PIPE (gestalt, abbildung figur, bild) 87.1 FIEFDOM
1976 BRIMS SERIES (Physiognomies, facial expressions and gestures) 88. GHOST ROOM 89. HALO OF A GLASS 28x36” Acrylic on rag $1,200 90. BRIMS 91. THE LONELINESS THAT HOUSES PEOPLES THOUGHTS 92. THE INNER SCREEN OF MY EYES 93. THE MUSEUM OF ONE NIGHT 94. POUR AWAY THE OCEAN AND SWEEP UP THE WOOD 95. CURVING THE AIR 96. PORTICO LIGHT 97. A SPIDER SEWS AT NIGHT 98. HORTATORY WALL 99. INTRANSIGENCE
1977 PORT OF SHADOWS (Kerouac) series 100. GUARDING THE FOX 101. IT CAME FROM BENEATH SPACE 102. THE BLUE GARDEN 103. STAIRWAY TO NOWHERE 104. PATHWAYS TO UNKNOWN WORLDS 105. POUR LE POETE INCOUNU (for the unknown poet) 106. THE AMPERSAND
107. PUTTING A RULER TO THE HEIGHT OF ABSURDITY 108. URBANE AND DRIUDICAL 109. ECHO AND NARCISSUS 54 x 78” oil & encaustic on poly. $9,000 110. A SOUVENIR OF FATE 111. VEHICLES OF MEANING 112. STONE AGAINST THEIR VELVET FUR 113. APOCRYPHAL UTOPIA 1978 DREAMS QUOTIDIAN series 115. THE FOUNTAIN OF MARTYRS IN THE GARDEN OF DESIRE 116. A SOUVENIR OF FATE 117. HINTS SUN TWILIGHT 118. THE AIR CRACKLES WITH A BLUE TONGUE 119. PERRY’S ICE CREAM 120. A SPIDER SEWS AT NIGHT 121. THE RAPE OF CASSANDRA 122. THE ASHES OF PHOCION 123. BULLSEYE AND THE MOON 124. A PILLOW FOR THE DEAD 34x32” encaustic on cotton duck $2,200 French to English 125. L’EXTASE D’UNE LUNE ROSE ET GRISE(the ecstasy of a pink and gray moon) 126. VOTRE A^ME EST UN PAYSAGE CHOISI(your soul is a chosen landscape) 127. DE LUNE TRISTE QUI FAIT RE^VERLES OISEAUX DANS LES ARBRES(The moonlight sad makes the birds in the trees begin to dream) 128. THE CACODYLATE EYE 60x34” (racetrack) 1979 DUTCH HARBOR Series Aleutian Islands, Unalaska 129. THE WHOLE DAY WILL TUMBLE AND OUT THE NIGHT WILL SPILL 51 x 70” oil & oil on gessoed Belgiun linen 130. THE BREATH OF RAIN 31x39” watercolor on rag $1,400 131. MORNING WALK 27 x 35” 125. AFTER THE RAIN 27 x 35” 132. AFTER THE RAIN 133. SNOW BLIND 134. YELLOW 1942 31X39” Watercolor on rag $1,400 135. study for- NINE DOORS 136. NINE DOORS 137. THE PINE FLAGPOLE FELLED BY WINTER 138. NIGHT STARS HANG FIRE IN THE NETS 139. FALL OF DARKNESS, SLEEP OF SIGHT 140. CAUGHT IN THE CROSSFIRE 141. AWAKEN THE NIGHT 142. AVANT-APRE’S (In Their Wake) 143. THE WHITEWASH ASTERN 144. LES DEMOISELLES D’ AVIGNON 145. SPIEGELEILAND (Mirror Island) 56X64” cosine & oil on canvas 146. DOWN THE ROAD PAST THE FORK 147. CAUGHT IN THE CROSSFIRE 148. SCREAM AGAINST THE SKY 149. ARABESQUES OF THE ROILING WATER 150. ADVANCE OF BLOOD RED CLOUDS 1980 BACH FESTIVAL CYCLE 151. FIVE AXES OF VARIOUS LENGTHS 152. THE CATHARTIC STORM 153. CALAVERA (skeleton) 154. LAISSE’ES POLEMIC 155. A BLINK OF THE BATON 156. ODWILZ (ideological thaw) 157. DYNATON (Greek, the possible) 158. THE BLIND STAIR CASE 159. THE FOSSIL’S SWIM 160. PERAMBULATION 161. VITUPERATION
1981 MEXICO CITY series 162. PARA SER CURVADA COMO LOS OJOS (to be curved by the eyes) 163. IN DEATH MY GLASSY EYES ARE TURNING 164. A PAPER ROSE BENEATH A PAPER MOON 165. RODA DOS PRAZERES (wheels of delight) 166. INSERCOES EN CIRCUITOS IDEOLOGICOS (Insertions into ideological circuits)108x47” oil, graphite, reeds and mixed media on rag sewn on canvas $10,500 167. EL FIN DEL MUNDO (the end of the world) 168. LIVRO DA CRIACAO (book of creation) 169. E´TOILE DU JOUR (day star) MaryValle College Collection 170. ENTREVENDO (glimpsing) 171. GIRL KINDLING A STOVE 172. LIQUID POOLS OF FIRE IN A VEILED SKY 173. PARA UNA TE VARUA INO (words of the devil) 174. GOING FORTH BY DAY (translation from Egyptian text) 175. SAL SE PUEDES (escape if you can) 176. ANDARILHO (wanderer) 1982 MYTHOLOGIES OF ORIGIN, PURITY AND SUBLIMATION cycle 177. GARDEN OF MEMORIES 178. THE SALT SELLER 178.1 (Eyes Adrift as Sardines Wrench at Your Heart Strings) 179. A LOT WHISPERS (pillar of salt) 180. AIR SHREDDING WAIL 181. THE MOMENT AND IT’S IMMEDIACIES 182. THE HOUSE WITH TWO PATHS 183. LE BAISER (the kiss) 184. THE DREAMY SPELL OF EVAPORATING TIME 185. THE KEY OF THE FIELD 186. EBULLIENT SPRING
1983 THE AIR OF OBVIOUSNESS THINS (Steinbeck) 187. THE WIND IN THE STRAW, GONE AWRY 49X73” oil & gauche on gessoed polypropylene $7,200 188. EYEBRID 189. DEW THREADING 190. WITH HOARFROST COVERED STANDS THE GRASS 191. BIRDS FOLLOWING A PLOW (Jenette Blair) 192. BLEEDING WITH LIFE 193. INCURSIONS CHAMPETRES (rural forays) 194. IN ILLA IPSA (a still finer line) 195. DEW THREADING 196. BIRDS IN CHEVRON FLIGHT (Jeannette Blair collection) 197. BUCOLIC AND VANDALIZED 198. DEW THREADING 199.CROWDING MANKIND, BETWEEN THE FENCES 200.THE QUIETUDE OF THE HINTERLANDS 201. BOVINE 202. RAGING TOWARD THE FOREGROUND 203. ALBINO HORSE GALLOPING IN A DESERT PROMONTORY ( Damian Griffis collection) 1984 LE GOTTERON series Tree studies 204. QUAND, SOLENNELLEMENT, LE SOIR DES CHENES NOIRS TOMBERA (When, solemnly, evening falls from the dark oak trees) 205. BLUISH DRIFTS OF AUTUMN 28x36” acrylic & gouache on rag 206. NERVE THIN BRANCHES 207. IF ALL THE WORLD WERE PAPER AND ALL THE WATER SINK 208. WOODLAND CATHEDRALS 31x39” watercolor on rag 209. SNOW-PACKED, MOON LINED STANDS OF BIRCH 210. A FOREST OF SIGNS 211. A WOODPECKER CUTS THROUGH THE STILL CRISP AIR 212. GREEN INFLATED TREES BALLOON UP INTO MARSHMALLOW SOOT 213. FL^ANEUSE (the consummate forest) 214. PINK SKY OF ORANGES FROM PINK BARK 215. CLERESTORY
1985 SENTIMENTAL RIGORS AND DISTANCE 216. I AM THE ONE THAT SEASONS THE PAIN FROM YOU 217. FAIT DIVERS 218. CAUGHT IN THE TOIL OF CIRCUMSTANCE 219. THE INTELLIGENT OBJECT (a subset of the male gaze) 220. ICI OU LA’ (here or there) 34X42” oil & gauche on rag 221. CIRCE AND HER LOVER, SUSPICION KISSED YOU 222. CAESURA 223. THE SCOPE OF REASON'S GARDEN 224. FLOWER OF A THORN 225. EYES SILENT LAUGHTER IN OBJECTS OF DESIRE 226. LAGO DIVINOROSSE (THE LAKE OF RED WINE) 227. THE ROSE CROSS 228. SLEEPING FIELDS SIGH, AS I GLIDE ACROSS THEIR SPINE 229. THE CACODYLATE 60X34" racetrack
1986 SCULPTURAL VOID 230. ICARUS 231. FOCKE-WULF 232. LE FENETRE DANS LE CIEL (Window in the sky) 233. TABLE OF SILENCE 234. MESSIANIC MARTYR 235. HOLE IN THE OZONE 236. THE BIRD CATCHER AND THE SCARECROW 237. CAPITOLINE TEMPLE OF JUPITER 238. NECROPOLIS 239. WHISKEY COLORED MIRRORS THAT SPILL LIQUID REFLECTION
1987 THE FORGOTTEN LAIR series (train station series) 240. ECHOES OF THE UNSPOKEN 241. CHANNEL TO ANOTHER TIME 242. I HOLD THE LINE, THE LINE OF STRENGTH THAT PULLS ME THROUGH THE FIELD 243. DOOR OF THE RIVER 244. MEMO FROM A WORLD IN TRANSIT 245. PALACE OF WIND 246. THE SMOKY CANDLE END OF TIME 247. THE FUTURE AS IT WAS 248. ASTONISH US,” THEY SAID, BUT THE PUBLIC WAS ALONE 249. LA CITI ENGLOUTIE (the submerged city) 1988 VALISE Series 250. PACK UP THE NOON AND DISMANTLE THE SUN 251. I AM CAUGHT DISSOLVE IN MID AIR Dip tic both 5’10”x 18” $6,400 252. MASADA German luggage & encaustic on wood 26x52” 253. ALL NAILS POINT IN ( enact the totalitarian logic, the ubiquitous corruption.) 254. VESSELS OF MEMORY 255. MOJITO SOAKED CIRCUS 256. AMBIENCE DE LA VILLE (ambience of the city) 257. AU BORD DE LA LOIRE (on the banks of the Loire) 258. BRYN MAWR 259. A SISYPHEAN STATE OF FUTILE STRIVING (spa) 1989 THE CHILDREN’S Series 260. VESSELS OF MEMORY 261. ON A BLUE MOON 58X72” oil on canvas Images of Childhood series $8,500 262. ON CHESSBOARD MEADOW 263. EY, BEE, CEE 264. WE SWAM IN A POOL OF HOPE 265. A FRUITLESS SEARCH FOR THE PLANET LEVERRIER 266. GABRICUS AND BEYA 267. DIFFERENT TRUES 268. UNE NYMPHE AMIE D’ENFANCE (a childhood infamy) 26x30” reeds encaustic and mixed media on wood $1,400 269. MALOUS ORBUS 270. SEMAPHORE ALPHABET 271. SPEAKING BRAIDS AND NIGHT BLOOMING CEREUSES 272. OVER A PAISLEY FIELDS 273. LIGHT FAILED, THE ROOM STILLED AND WE ENTERED THE PAST
1990 PARALLELS AND CONTINUITIES 274. RES IPSA 275. UNMAPPING THE EARTH 276. CHANNEL TO ANOTHER TIME 277. THE MIDDLE BORDER 278. LACRIMAE RERUM 279. A MAP SUTURED TO BEAR ITS WORLD 280. BAUHAUS 281. THE FIRST ENFILADE 282. FROM THE EDGE OF AWARENESS 283. TREMBLING WITH EXCUSIVE CARE 1991 “De’part pour le grand voyage” series DANTE’S Divine Comedy 284. Sisyphus (the Existential Hero) 285. “L’ ELOGE DE LA FRUITE (In praise of Escape) 82X31.5” oil & gauche on rag $6,400 286. THE HOLLOW EYE 287. PROVOCATION AND PARADOX 288. BETWEEN PARIDISE AND HELL 289. THE SIPHON 290. THE FURNITURE CLIMBS THE WALLS 291. POE’TES MAUDITS 292. ABSTINENCE AND EPICUREANISM 32x40” acrylic and gauche on rag 293. WHISTLING IN THE DARK 294. THE FOUNTAIN OF TEAR 295. THE PREMONITION 296. TREMBLING WITH EXCLUSIVE CARE 297. THEN THERE WERE NONE 298. THE SEVERAL HELLS 299. EVE’S PORTENTOUS BITE 300. FROM THE EDGE OF AWARENESS 1992-93 SEMINAL ART (Foucault) 301. TIME IS THE MIND OF SPACE, SPACE IS THE BODY OF TIME 302. THE IMPLOSION OF SYSTEMS 303. A HYBRID OF TYPOGRAPHY 304. RAPPEL A’ L’ORDER 305. BOTTLING QUANTITIES OF NIGHT 306. THE FORCE OF THOUGHT 307. AS A CHILD IMAGINES HE IS A MAN 308. THE COMMODIFICATION OF DISSENT 309. PILLOW FOR THE DEAD 310. THE DREAMY SPELL OF EVAPORATING TIME 311. TRAUMEN (the unreal transparency)38 x 64” encaustic on cotton $4,200 312. LETTER TO TUCITUS 313. PATTERNS OF CONGRAGATION
94 THE COMPOSER’S ROUND 314. THE FALLEN SCALE 315. WHITENED BETWEEN THE NIGHT 316. ROUND EYES IN SQUARE HOLES 317. THE EXPANSIVE VERVE, THE ELASTIC SCALE 318. WHAT WE HAVE YET TO GAIN 319. PLUNGED A TRAGIC OCTAVE 320. FIRST WORDS, LIKE THE SNOWFLAKES TOUCH THE PAGE AND STAY UNFADED WITH THE NOON 31x39” acrylic on gessoed Rag 1993 series $1,200 321. PROMETHEUS 322. PERCUSSIVE THICKET 323. NUAGES 27x25” oil and watercolor Northern France 324. A BELL IS A CUP UNTIL IT IS STRUCK 325. FLOATING HANGMEN 326. ECHO FOUR 327. MOMENT AND MOVEMENTS 328. BETWEEN A-FLAT& B-MINOR 329. SHELTERING BROOKS FROM PART OF THE YEAR 330. A POINT OF REPOSE 1995 SIRENS OF WISDOM series 331. PRIME MERIDIAN 332. NOIV MUIR 333. FLOWER OF A THORN 334. NAIF 335. FEMININITY SHEDS HER SKIN 336. CASTOR AND POLLOX 337. EYES AVOID OURS 338. BY THE BACK WINDOW OF HER EYE 339. LET ME LIE ON YOUR HEART LIKE SNOW 340. YOUTH ENTANGLED IN HER EYES 341. THE RAPE OF THE LOCK 342. THEY RECEIVED MY GLANCE AND EXCHANGED IT PRIVATELY 343 SHADOWS FROM A WINDOW 344. DRYAD (wild wood nymph) 345. THE LANGUAGE ROBES 346. CARYATIDES ‘A LA PIERRE 347. I WILL DELVE ONE YARD BELOW THEIR MINDS AND BLOW THEM AT THE MOON 78x 102” oil and acrylic on polypropylene 348. THE FINISH FETISH 349. WITH WINDOWS FOR EYES
1996 BUSH OF GHOSTS series 350. THE QUILTED DREAM OF THE SUNS EMBRACE 351. NOIV MUIR (new world) 352. THE LIGHTS WENT OUT & THE STARS CAME DOWN LIKE A SWARM OF BEES 353. ON THE CHESS BOARD MEADOW 354. SHADOWS FROM A WINDOW 355. WITH WINDOWS FOR EYES 356. THE PORTRAIT OF CEPHREN 30X83 encaustic on quilt on door $5,600 357. DRYAD (wild wood nymph) 31X83” Encaustic on quilt on Russian door $5,600 358. CLAUSTROPHOBIA AND ASPHYXIATION 359. A L’EPREUVE DE LA LUMIERE (the test of light) 360. ORPHISM/SYNCHRONISM 361. TO WHIT OUR APPITITE 362. HANDMADE PROVERBS 1997 THE QUEST FOR THE SUBLIME, AS A DEER QUESTS FOR WATER (RUSSIAN Series) 363. A CLOUD SPREADS AND OBSCURES THE SKY 36 x 48” Encaustic on wood $2,000 364. Idola^trer (to idolize) 365. Ange Des Orages (angel of storms) 366. APERCUS 367. THE TEETH OF GLORY 368. THE ASHES OF PHOSEON 369. TO DWELL IN ITS COMPASS 370. A MAN WHO WAS THURSDAY The ZUEV Club near Kremlin, highest concentration of beautiful women in Moscow. 50X98” encaustic and bridal on maps & wood 1997 Russian series $9,400 Russian titles to English 371. V MOLCH’ I NOCHL TAYNOY(In the Silence of the secret night) 372. SHEPNULA DNYU ZARYA(whispered dawn to the day) 373. THE BLUE MAN 374. A DEN”, KAK BI ESHCHO DOVERYAYA (and the day as if not yet believed) 375. SPUSKALSKY NA ZEMLYUA BLESTEVSHIYE VOKRUG RYADI” ALMAZNI”KH SLYOZ (Came down to Earth wiping away the rows of glistening tears) 376. THE COPPER DRUM 50” diameter mixed media $3,500 377. THE GATES TO ST. PETERSBURG 378. STONE AGAINST THEIR VELVET FUR 379. THE BREAD OF ANGELS 380. SEA OF CARS 381. WORDS ARE ON THE RUN AWAY 382. THE AIR CRACKLES WITH A BLUE TOUGUE 383. THE THIRD WORLD OF AIR 384. SLEEPING FIELDS SIGH AS I GLIDE ACROSS THEIR SPINE 385. L’lmmccul’ee Conception 386. COEPERNICUS
1998 SAINT THOMAS Series 387. SHELVES OF MIST MADE A CORPSE OF THE MOON 388. ESHU (the mediating crossoads spirit of Yoruba) 389. BIOLUMINESCENCE 390. A JOURNEY TO THE TABLE 391. ECHOES OF THUNDER 392. REMNANTS OF ACTION 393. WHITE KINGS FLOAT IN A CERULEAN SEAS 394. AND MOVELESS FISH IN THE WATER GLEAM 395. THE SPRAY-WHITED CIRCLES OF CLIFF-WASH 396. THE CLIFFS OF AMBER 397. ATABEY (the mother of the waters) 398. THE SEA GATHERERS 399. INVERTED SKIES OF THE GLASS SEA 400. LAND OF LEMONS 401. GUANAROCA (The first woman) 402. BACAYA (the light of day) 1999 THE APPARITION (Installation piece) 403. ISOLATED AND NONCHALANT 404. SLITHERING STEMS AND DRAGON CURVES 405. SYNOPTIC EQUIVALENCES 406. BLOTS OF SHADOW 407. PEACHES, PEONIES AND LILACS 408. THE MOBILITY OF CONCEPT 2000 LADDER TO THE MOON 390. WHITE RAVEN 391. THE INVISABLE CLOUD 392. THE THIN EDGE OF THE WEDGE 393. THE INTERNAL CLOCK 394. PARADE DE CIRQUE (76x63”) 395. AGENTS OF CHANGE 396. THE FOUR RIVERS OF EDEN 397. THE HATED AND INSANITARY NIGHT 398 SLIER WIT
2001 THE LEFT HANDED WORLD 399. TEXERE Latin verb (to weave) 400. THE WORDS OF CHAULK 401. EVERYTHING RETURNS 402. ARS LONGA, VITA BREVIS 403. A WORLD BOTH TIGHTLY WOUND AND UNRAVELED 404. THE PALISADES OF FORTIFICATION 405. DIE FESTE HALFTE EINER KUGEL 406. ASPHERE 407. THE FIRST TURN ON THE LEFT HAND LATITUDE 408. PIRANSIAN VEDUTE (left right symm````etry) 409. THE COLLAPSE OF SEASON 410. BETARA DESA 2002 DYNAMICS OF RECEPTION 411. EYES THAT BEAT LIKE TWO HEARTS 412. RESTLESS CONTAINMENT 413. HOT SULFUR BATHS 414. TO INVEIGLE INTO ALLIANCE 415. NOTES ON A STAFF 416. EXCAVATION OF MEMORY 417. VULNERABLE AND VOLITILE 2003 VENICE 418. A MONS VENERIS 419 THE MYTH OF ZEUXIS 420. INTIMATE DISTANCE 421. . INTERLOCUTOR 422. KREUS (cross) 423. IN THE WITHER STREAM 424. BESSRIS ACROSS THE OXUS 425. THE YEAST FIELDS 2004 OBSOLESENCE 426. THE MASK OF ALTRUISM 427. TO A SCARE,ACLOUDED MIRROR AND A DAM 428. GUILTY OF SOCIAL METAPHYSICS 429. NOTHING SEEMS TO MATTER AND I’M AFRAID OF THE DAY IT WILL 430. I MUST BE MAKING A PHONE CALL, WHICH IS ODD BECAUSE I DON’T KNOW ANYONE 431. ARAIZ DA FORMA (the root of shape) 2005 THE DILATION AND CONTRACTION OF SOUND
432. THE ENVELOPE (marginalization) 433. THE FLOOR OF HEAVEN 434 THE LIE WHISTLE 435. THE BLACK RAINBOW 436 THE AGE OF ACTUALITY 437. WATCHED ON BY DISTANT EYES 438. VISION FOR THE BLIND 439 REFLECTIVE SURFACES 440. CHALLENGING AND DECEPTIVE 441. THE MUFFLED TIMELESSNESS OF DREAMS 442. 443. 2006 THE ANATOMY OF BELIEF 444. Modulation of Light 445. ECHOING SILENCE 446. TAKE WHAT YOU CAN’T FIND (Seems like something shining) 447. LIKE FIEFLES SWIMMING IN A SLEEPLES DARKNESS 448. PRAXIS AND ELYSIUM 449. THE BLACK SUN OF DEATH 450. THE SHADOW OF OUR LIMITS 451. TALISMAN OF TIME oil and acrylic on raw jute & wood 452. TASTES AND TONGUES 453. THE CRUCIAL MOMENT 454. THE THIRD MEMORY 455. THE MANNER OF ADDRESSING CLOUDS 456. Coiffure Turque, Coiffure d’Ulm 457. THE HORIZON OF RECEPTION 458. L’ebsinthe 459. TEMPORAL PEREGRINATION 460. ECDYSIAST so-text-indent-alt:0in;} > .< style=' margin:0in; margin-bottom:.0001pt; text-indent:0in; mso-text-indent-alt:0in;} > < style=margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt; text-indent:0in; mso-text-indent-alt:0in;} > < style=' margin:0in; margin-bottom:.0001pt; text-indent:0in; mso-text-indent-alt:0in;} > THE BLACK RAINBOW< style=' margin:0in; margin-bottom:.0001pt; text-indent:0in; mso-text-indent-alt:0in;} > < style=' margin:0in; margin-bottom:.0001pt; text-indent:0in; mso-text-indent-alt:0in;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > 436 THE AGE OF ACTUALITY< style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt; text-indent:0in; mso-text-indent-alt:0in;} > < style=' margin:0in; margin-bottom:.0001pt; text-indent:0in; mso-text-indent-alt:0in;} > 437< style=' margin:0in; margin-bottom:.0001pt; text-indent:0in; 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margin-bottom:.0001pt; text-indent:0in; mso-text-indent-alt:0in;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt; text-indent:0in; mso-text-indent-alt:0in;} > < style=' margin:0in; margin-bottom:.0001pt; text-indent:0in; mso-text-indent-alt:0in;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > 443. < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > 2006 < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > THE ANATOMY OF BELIEF< style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > 444.< style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > Modulation of < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > Light< style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > 445.< style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > ECHOING SILENCE< style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > 446.< style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > TAKE WHAT YOU CAN’T FIND (Seems like something shining)< style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > 447.< style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > LIKE FIEFLES SWIMMING IN A SLEEPLES DARKNESS< style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > 448.< style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > PRAXIS AND ELYSIUM< style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > 449.< style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > THE BLACK < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > SUN< style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > OF DEATH< style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > 450.< style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > THE SHADOW OF OUR LIMITS< style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > 451.< style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > TALISMAN OF TIME oil and acryli< style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > c on raw jute & wood< style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > 452.< style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > TASTES AND < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > TONGUES< style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > 453.< style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > THE CRUCIAL MOMENT< style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > 454.< style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > THE THIRD MEMORY< style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > 455.< style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > THE MANNER OF ADDRESSING < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > CLOUDS< style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > 456. Coiffure Turque, Coiffure d’Ulm< style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > 457. THE HORIZON OF RECEPTION< style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > 458. L’ebsinthe< style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > 459. TEMPORAL PEREGRINATION< style=' margin:0in; margin-bottom:.0001pt;} > < style=' margin:0in; margin-bottom:.0001pt;} > 460. ECDYSIAST432. THE ENVELOPE (marginalization) 433. THE FLOOR OF HEAVEN 434 THE LIE WHISTLE 435. THE BLACK RAINBOW 436 THE AGE OF ACTUALITY 437. WATCHED ON BY DISTANT EYES 438. VISION FOR THE BLIND 439 REFLECTIVE SURFACES 440. CHALLENGING AND DECEPTIVE 441. THE MUFFLED TIMELESSNESS OF DREAMS 442. SOUVENIR E’CRAN (screen memory) 443. 2006 THE ANATOMY OF BELIEF 444. Modulation of Light 445. ECHOING SILENCE 446. TAKE WHAT YOU CAN’T FIND (Seems like something shining) 447. LIKE FIEFLES SWIMMING IN A SLEEPLES DARKNESS 448. PRAXIS AND ELYSIUM 449. THE BLACK SUN OF DEATH 450. THE SHADOW OF OUR LIMITS 451. TALISMAN OF TIME oil and acrylic on raw jute & wood 452. TASTES AND TONGUES 453. THE CRUCIAL MOMENT 454. THE THIRD MEMORY 455. THE MANNER OF ADDRESSING CLOUDS 456. Coiffure Turque, Coiffure d’Ulm 457. THE HORIZON OF RECEPTION 458. L’ebsinthe 459. TEMPORAL PEREGRINATION 460. ECDYSIAST
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