2003 VENICE

Seeds travel and have been known to remain dormant with life for thousands of years. I was most interested in the ideas more than the image. Portraiture, which is as much as possible about the act of looking, the likeness of a countenance. The film is a gathering place, starting with certain pathes of research already taken and adding others over time. The layers range from discarded to encounters with other. I try to open spaces of indeterminancy within the viewer, to demanstrate explorations of abstraction to meditations on life and death. A duel gaze on reality. I look at the read only members of society, or the ROM.

I try to expose the visual numbness that widespread superficiality I am more intreged by archive, than the select.