2002 THE LEFT HANDED WORLD BIN0CULAR

“A movie within a movie” tactic to displace and double our sense of viewership, and to send the subject into limbo. Moral implications of kinesthetic orientation, sinster versus dexterous, preoccupation with inversion, duality and the divided, incoherent nature of the self.
Walls swinging open and doors open automatically closing another door in the corner wall. Like fireflies swimming in a sleepless darkness. Chain-link fencing as urban-industrial malaise. Figures are schematic and impersonal as statues connote an inherent theatricality, while sculpture implies a more personal and individualistic exp[ression. I used balconies to imply, but not depict a human presence A stage or observatory neither interior nor exterior, neither public nor private. I would use floor tiles on the walls to give the audience a god’s eye view.